Bvlgari Bronzo
Bronze as a new accent in the history of aluminium
The new version of the Bvlgari Aluminium catches the eye with an unexpected accent – bronze. The warm shade of the alloy transforms the watch into an object that, over time, develops its own unique character.
For Bvlgari, this metal marks a departure from the familiar aluminium and rubber. It brings warmth and materiality to the graphic language of the collection, turning its strict silhouette into a more dimensional and sensuous design.
The models are presented in two versions – GMT and Chronograph. The GMT is created for those who live on the move: the contrast of the black bezel and bronze case emphasizes functionality, while the 24-hour disc makes the second time zone instantly legible. A 40 mm case diameter and the automatic B192 calibre with a 50-hour power reserve create a practical balance of form and substance.
The Chronograph has a different character altogether. A matte black dial, sandblasted bronze, and azurage counters create an impression of depth and precision. Inside beats the B381 calibre with a 42-hour power reserve. The 41 mm case proportions and carefully considered graphics combine technology and style in harmony.
The collection’s debut coincided with Geneva Watch Days 2025, where Bvlgari also unveiled a retrospective of the Octo Finissimo. This line, over the course of 11 years, has set ten world records in the realm of ultra-thin movements. The exhibition traced its milestones – from the Octo Finissimo Tourbillon of 2014 to the latest Ultra Tourbillon measuring just 1.85 mm thick.
Particular attention was drawn to the Octo Finissimo Lee Ufan x Bvlgari, created in collaboration with the Korean artist. Its mirrored dial and titanium case with unique hand-finishing transform the watch into a true work of art. Only 150 pieces were produced.
Another debut was the Octo Finissimo Marble Tourbillon, featuring a dial made of deep blue Blu Incanto marble. Its tourbillon movement and case, at only 5.35 mm thick, demonstrate how the traditional materials of ancient sculpture can be reimagined as part of modern watchmaking.
Bronzo and the new interpretations of Octo Finissimo expand on the idea of time as a living process. In these models, material does not conceal the traces of change – it transforms them into an integral part of the aesthetic.
